March 20, 2022

We Are All Made of Stories by Shan Powell

Storytelling is a human tradition, and stories are one of the most ancient of technologies, carrying information down through thousands of years.  How do fairy tales, folktales, myths, fables, bible stories, and other ancient tales fit into modern life? Are the archetypes still relevant?  Can the stories of colonizers be subverted as tools for decolonization? Shantell studies and reworks stories from a variety of traditions to discover how they translate into memoir, social commentary, Indigenous Futurism, speculative fiction, and more.  Shan will read from her works in progress and answer questions about process, art, and storytelling. PM/EST

ARTIST: Shan is a 2-spirit urban Inuk with Mi’kmaq and European ancestry.  A member of the Turtle Clan, she grew up on the land and sometimes off the grid.  She lived in rural and remote communities from Newfoundland to British Columbia.  Shan is an author, storyteller, multidisciplinary artist, forager, swamp hag, and chinchilla wrangler.  A lifelong student, she is currently a writer in the Writers’ Studio at Simon Fraser University, a fellow in the Lived Experience Transformational Leadership Academy at Yale University, and a student of the Storytelling Certificate program at the Story Center in Kansas City.  She studies Inuit culture and philosophy through the Alluriarniq program with Tungasuvvingat Inuit in Ottawa and is also learning Inuktitut and Anishinaabemowin.  Her writing is published in Augur, Cloud Lake Literary Journal, Feminist Studies Journal, Prairie Fire, Yellow Medicine Journal, and more.  Her visual art has been shown in the National Textile Museum, OCAD, and Porcelain Painters of Canada magazine. You can find more of her work at https://www.instagram.com/shanmonster/  and http://shanmonster.dreamwidth.org

We Are All Made of Stories by Shan Powell

Storytelling is a human tradition, and stories are one of the most ancient of technologies, carrying information down through thousands of years.  How do fairy tales, folktales, myths, fables, bible stories, and other ancient tales fit into modern life? Are the archetypes still relevant?  Can the stories of colonizers be subverted as tools for decolonization? Shantell studies and reworks stories from a variety of traditions to discover how they translate into memoir, social commentary, Indigenous Futurism, speculative fiction, and more.  Shan will read from her works in progress and answer questions about process, art, and storytelling. PM/EST

ARTIST: Shan is a 2-spirit urban Inuk with Mi’kmaq and European ancestry.  A member of the Turtle Clan, she grew up on the land and sometimes off the grid.  She lived in rural and remote communities from Newfoundland to British Columbia.  Shan is an author, storyteller, multidisciplinary artist, forager, swamp hag, and chinchilla wrangler.  A lifelong student, she is currently a writer in the Writers’ Studio at Simon Fraser University, a fellow in the Lived Experience Transformational Leadership Academy at Yale University, and a student of the Storytelling Certificate program at the Story Center in Kansas City.  She studies Inuit culture and philosophy through the Alluriarniq program with Tungasuvvingat Inuit in Ottawa and is also learning Inuktitut and Anishinaabemowin.  Her writing is published in Augur, Cloud Lake Literary Journal, Feminist Studies Journal, Prairie Fire, Yellow Medicine Journal, and more.  Her visual art has been shown in the National Textile Museum, OCAD, and Porcelain Painters of Canada magazine. You can find more of her work at https://www.instagram.com/shanmonster/  and http://shanmonster.dreamwidth.org